All Films in Competition

Thronebosis
Marco Espirito Santo | 2024 | 1m 51s | PT
Radar Vienna INTERNATIONAL Award
It is May 6th, 2023, the day of the Coronation of King Charles III in London, and a young man calls Emergency Medical Services claiming the whole thing is making him feel unwell. “Thronebosis” imagines this scenario, making use of manipulated news footage of the day’s events mixed with animation to illustrate the man’s concerns in a punk-infused poetic form.

Tomokos Quest for Happieness
Veronika Frei | 2024 | 4m 30s | AT
Radar Vienna ANGEWANDTE ANIMATION AWARD
A young girl’s dreary world is transformed by a magical leaf, leading her on an adventure where imagination and reality blur.
Tomoko lives in a world stripped of color, confined to her small room where she draws vibrant pictures of nature. When a single green leaf is blown through her window, she reaches out to touch it, and the world around her transforms into a lush, vibrant landscape.

Track 31
Nikolaus Jantsch | 2023 | 6m 20s | AT
Radar Vienna AUSTRIAN Award
Dive into the Visual Wonderland:
Immerse yourself in the mesmerizing world of hand-painted film, where each frame is a unique work of art. “Thalija’s Super8 Summer Trip” transforms your screen into a canvas of colors, textures, and emotions. The nostalgia of Super8 film captures the essence of the 70s, taking you on an artistic voyage like no other.

TWENTYTИƎWT
Max Hattler | 2023 | 7m | DE
Radar Vienna INTERNATIONAL Award
Shot entirely from an apartment on the 36th floor of a high-rise building, the images in this experimental animation survey large parts of Hong Kong’s cityscape, drawing attention to the individual lives hidden inside its buildings – together alone, collectively sequestered. Initially recorded in 2020 during lockdown and completed in 2023 with the advantage of critical distance, TWENTYTИƎWT (“Twenty-Twenty”) attempts to encapsulate the darkness, confinement, and uncertainty of the year of the global pandemic.

Via Dolorosa
Rachel Gutgarts | 2023 | 12m | FR
Radar Vienna INTERNATIONAL Award
Between drug addiction, first discoveries of sexuality and a permanent state of war, the filmmaker searches for her lost youth by wandering the streets of Jerusalem.

Water under a bridge
Andrew Payne | 2024 | 2m 17s | UK
Radar Vienna INTERNATIONAL Award
The upper image in this film is a single shot underneath a road bridge where it crosses over a river. The images in the lower sequence are close-up shots of the surface of the water under the bridge. They are arranged in no particular order, and their appearance may be reminiscent of abstract paintings.
The film explores the idea of invisible images in landscape which the British painter Paul Nash wrote about in a Country Life magazine article in May 1938: “The landscapes I have in mind are not part of the unseen world in the psychic sense, nor are they part of the Unconscious. They belong to the world that lies, visibly, about us. They are unseen merely because they are not perceived; only in that way can they be regarded as invisible.”

When the Moon Rises
Jiaqing Chen | 2024 | 2m 40s | UK
Radar Vienna INTERNATIONAL Award
When the Moon Rises is a poignant wartime love story, a pair of lover who are unwilling to part, initiating a dialogue interwoven with sincerity and lies. This is a film about longing, memories and the subconscious, which takes its inspiration from a kind of projective test in psychotherapy – the Rorschach inkblot that was invented after the end of World War II to treat traumatized soldiers came back from the war.


Yarn Over
Veronika Wielach | 2024 | 4m 10s | UK
Radar Vienna ANGEWANDTE ANIMATION AWARD
Yarn Over is a stop motion animation about loneliness in older adults. The short film tells the story of a widowed man finding solace in a local knitting group.

You Can’t Find Love
Tom Bessoir | 2024 | 2m | US
Radar Vienna INTERNATIONAL Award
After attending The Nova Convention in New York City in 1978, I was inspired by Brion Gysin to write permutation poems.
This experimental film is based on a permutation poem I wrote in 1979. It explores selective viewing by overloading the brain with different presentations of the same poem.
The poem was read by Ann Marie Guidry in 2024.